I.               Woolstonecraft: 1757-1797 [20 minutes]

A.            Quotes from Vindication on Milton—Backtracking and moving forward

1.              To account for, and excuse the tyranny of man

2.              there is but one way appointed by Providence to lead mankind to either virtue or happiness.

3.              Men complain, and with reason, of the follies and caprices of our sex, when they do not keenly satirize our headstrong passions and groveling vices.-Behold, I should answer, the natural effect of ignorance!

a)              BeggarÕs Opera

(1)           MACHEATH.
(a)            Man may escape from Rope and Gun;
Nay, some have outliv'd the Doctor's Pill;
Who takes a Woman must be undone,
That Basilisk
{71} is sure to kill.
The Fly that sips the Treacle
{72} is lost in the Sweets,
So he that tastes Woman, Woman, Woman,
He that tastes Woman, ruin meets.
(2)           LUCY. 'Tis the Pleasure of all you fine Men to insult the Women you have ruin'd.
(a)            How cruel are the Traitors,
Who lye and swear in jest,
To cheat unguarded Creatures,
Of Virtue, Fame, and Rest! Whoever steals a Shilling,
Through shame the Guilt conceals:
In Love the perjur'd Villain
With boasts the Theft reveals.

4.              Thus Milton describes our first frail mother; though when he tells us that women are formed for softness and sweet attractive grace, I cannot comprehend his meaning, unless, É he meant to deprive us of souls, and insinuate that we were beings only designed by sweet attractive grace, and docile blind obedience, to gratify the senses of man when he can no longer soar on the wing of contemplation.

5.              Children, I grant, should be innocent; but when the epithet is applied to men, or women, it is but a civil term for weakness. For if it be allowed that women were destined by Providence to acquire human virtues, and by the exercise of their understandings, that stability of character which is the firmest ground to rest our future hopes upon, they must be permitted to turn to the fountain of light, and not forced to shape their course by the twinkling of a mere satellite. Milton, I grant, was of a very different opinion; for he only bends to the indefeasible right of beauty, though it would be difficult to render two passages which I now mean to contrast, consistent. But into similar inconsistencies are great men often led by their senses.

6.              Consequently, the most perfect education, in my opinion, is such an exercise of the understanding as is best calculated to strengthen the body and form the heart. Or, in other words, to enable the individual to attain such habits of virtue as will render it independent.

B.             Biography

1.                              Wollstonecraft's father É was ..a violent man who would beat his wife in drunken rages. As a teenager, Wollstonecraft used to lie outside the door of her mother's bedroom to protect her.[3]

2.              Professional author; supported herself

3.              During her brief career, she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book.

4.              Vindication of the Rights of Men (1790)Éin response to Edmund Burke's conservative critique of the French Revolution in Reflections on the Revolution in France (1790) and it made her famous overnight.

a)              Like the other manifestoes of the age, it argues that birth and class are not an appropriate basis for structuring society, but rather that equality should be expressed politically in democracy.  These ideas are gradual in coming: Utopia as fantasy, King Lear, Paradise Lost—Adam and Eve are all humanity—ÒWhen Adam delved and Eve span, who was then the gentlemanÓ—Judaeo/Christian tradition appealed to by Puritans in 17th century, adopted in American and French revolution

5.              Association with French philosophes; travels to France to take part in Revolution—Rousseau

a)              ÒThis was Rousseau's opinion respecting men: I extend it to womenÓ

C.             A Vindication of the Rights of Woman (1792), argues that women are not naturally inferior to men, but appear to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason. Instead of viewing women as ornaments to society or property to be traded in marriage, Wollstonecraft maintains that they are human beings deserving of the same fundamental rights as men.

D.            Wollstonecraft as Enlightenment rationalist

1.              Rejection of traditions and religion and state

2.              Nature and natural rights—John Locke, Benjamin Franklin, Jefferson, Thomas Paine [The Age of Reason]--revolutionary

3.              reason and morality and equality—Houyhnhounym/Utopia values

4.              Optimism and meliorism: idea of progress

5.              Importance of education—will improve society because basic scientific and humane principles will be realized

a)              Woolstonecraft created a school for young children

6.              Didactic literature—take the place of religious texts

a)              Criticize and improve and educate

E.             Wollstonecraft as Romantic and tragic figure

1.              had rejected the sexual component of relationships in the Rights of Woman, Imlay awakened her passions and her interest in sex.[25] She soon became pregnant, and on 14 May 1794 she gave birth to her first child,

2.              In May 1795 she attempted to commit suicide, probably with laudanum, but Imlay saved her life

3.              After two ill-fated affairs, Émarried the philosopher William Godwin, [a revolutionary Enlightenment philosopher]

a)                             Godwin and Wollstonecraft's unique courtship É eventually became a passionate love affair.[37]

b)             Once Wollstonecraft became pregnant, they decided to marry so that their child would be legitimate.

c)                             Godwin É had advocated the abolition of marriage

d)                             After their marriage on 29 March 1797, they moved into two adjoining houses, Éso that they could both still retain their independence; they often communicated by letter.[40] By all accounts, theirs was a happy and stable, though tragically brief, relationship.[41]

4.              her placenta broke apart during the birth and became infected; puerperal (childbed) fever was a common and often fatal occurrence in the eighteenth century.[42] After several days of agony, Wollstonecraft died of septicaemia on 10 September. at the age of thirty-eight, ten days after giving birth to her second daughter, Her daughter Mary Wollstonecraft Godwin, later Mary Shelley, the author of Frankenstein

II.             Pope: Essay on Man [25 minutes]

A.            On Pope (1688-1744)

1.              From the age of 12, he suffered Éa form of tuberculosis that affects the bone, which deformed his body and stunted his growth, leaving him with a severe hunchback. His tuberculosis infection caused other health problems including respiratory difficulties, high fevers, inflamed eyes, and abdominal pain.[2] He grew to a height of only 1.37 m (4 ft 6 in) tall. Pope was already removed from society because he was Catholic; his poor health only alienated him further. Although he never married, he had many female friends to whom he wrote witty letters. Allegedly, his lifelong friend, Martha Blount, was his lover.

2.              Around 1711, Pope made friends with Tory writers John Gay, Jonathan Swift, Thomas Parnell and John Arbuthnot, who together formed the satirical Scriblerus Club. The aim of the club was to satirise ignorance and pedantry in the form of the fictional scholar Martinus Scriblerus

3.              Translated Homer into rhymed English couplets and edited the works of Shakespeare

B.             Poetic Style

1.              Perfected heroic couplet

2.              Essence of wittiness and elegance—clincher every two lines; proverbs and clever sayings; aphorisms

a)             Nature and Nature's laws lay hid in night:
God said, Let Newton be! and all was light.

(1)           God creates Newton; Newton creates light—parody of Genesis
(2)           The movement of the couplet: dark to light; double surprise; at end, illumination and Enlightenment

3.              Poetry not to express intimate, subjective movement of emotions—erotic or spiritual, as in Shakespeare, Donne, Herbert or later Romantics—but to deal with science and philosophy and to educate the reader

4.              Supposedly straightforward and direct; but often sarcastic

C.             Enlightenment Optimism

1.              On Nature and Newton

a)              Nature as ultimate reality; science, based on ignorance, is the way to know it

b)             Deism: Pope believed in the existence of a God who had created, and who presided over, a physical Universe which functioned like a vast clockwork mechanism governed by the laws of physics discovered by Newton and others

1.              ÒA Philosopher giving a Lecture on the Orrery in which a lamp is put in place of the SunÓ

a)             Joseph Wright: art celebrates science rather than Biblical or Calssical subjects--reveals its scientific subject: the demonstration the movement of the planets around the Sun, and an explanation of eclipses of the Sun.
b)             Power of the Philosopher/scientist. He resembles Sir Isaac Newton (1643-1727), who Òpresented the universe as an ordered harmonious system governed by simple mathematical principles.Ó PopeÕs epitaph:
(1)           Nature and Nature's laws lay hid in night:
God said, Let Newton be! and all was light.
c)              Those around the Philosopher are experiencing Enlightenment, both physical and intellectual

2.              Essay on Man 1734 popularized optimistic philosophy throughout England and the rest of Europe.

a)              Voltaire called it "the most beautiful, the most useful, the most sublime didactic poem ever written in any language".

(1)           Later satirized it in Candide 1757

3.              a rationalistic effort to use philosophy in order to "vindicate the ways of God to man" (l.16), a variation of John Milton's claim in the opening lines of Paradise Lost, that he will "justify the ways of God to men" (1.26).

a)              If man, using his Reason, could deduce the laws of Nature, then it seemed only a short step to apply those laws to man and society.

b)             Locke applied Newton's recently published principles to psychology, economics, and political theory.

c)              The movement claimed the allegiance of a majority of thinkers during the 17th and 18th centuries, a period that Thomas Paine called the Age of Reason.

4.              This view of the universe as an ordered, structured place was an aspect of the Neoclassical emphasis on order, balance  and structure which also manifested itself in the arts, including poetry.

All are but parts of one stupendous whole,

Whose body nature is, and God the soul ...

All nature is but art, unknown to thee;

All chance, direction, which thou cannot see.

All discord, harmony not understood;

All partial evil, universal good

And, spite of pride, in erring reason's spite,

One truth is clear: Whatever is, is right.

(1)           The Poetry: final couplet again moving from irresolution to total completeness—error to truth; pride to wisdom; ultimate tautology: Whatever is—all the confusion of experience—is right—perfect unity and wholeness

D.            Enlightenment scepticism

1.              We cant know as Milton thought he could from reading and interpreting it in the Bible—not manÕs disobedience and ChristÕs redemption and the fall of Satan, etc.

a)              Then say not manÕs imperfect, Heaven in fault;
Say rather manÕs as perfect as he ought:
His knowledge measured to his state and place;
His time a moment, and a point his space.

b)             Go, wiser thou! and, in thy scale of sense,
Weigh thy opinion against providence;
Call imperfection what thou fanciest such,
Say, here He gives too little, there too much;
Destroy all creatures for thy sport or gust,
Yet cry, if manÕs unhappy, GodÕs unjust;
If man alone engross not HeavenÕs high care,
Alone made perfect here, immortal there:
Snatch from His hand the balance and the rod,
Re-judge His justice, be the God of God.

2.              the first verse paragraph of the second book, sets the typical 18th century ironic tone, mixing idealism with skepticism and wistfulness

a)              Know then thyself, presume not God to scan
The proper study of Mankind is Man.
Placed on this isthmus of a middle state,
A Being darkly wise, and rudely great:
With too much knowledge for the Sceptic side,
With too much weakness for the Stoic's pride,
He hangs between; in doubt to act, or rest;
In doubt to deem himself a God, or Beast;
In doubt his mind or body to prefer;
Born but to die, and reas'ning but to err;
Alike in ignorance, his reason such,
Whether he thinks too little, or too much;
Chaos of Thought and Passion, all confus'd;
Still by himself, abus'd or disabus'd;
Created half to rise and half to fall;
Great Lord of all things, yet a prey to all,
Sole judge of truth, in endless error hurl'd;
The glory, jest and riddle of the world.

(1)           Movement of the verse here is opposite of the previous: One truth is clearÉ; from stability and order to chaos and incomprehension

3.              Pope, like Swift and many of their contemporaries saw a capacity in humanity to be rational and virtuous, the two conditions converging with one another.  But seeing that capacity, and feeling it in themselves, put into high relief the discrepancy evident in human behavior throughout history.  And they both saw the function of literature to point out these discrepancies in the hope that people would be educated to improve.